Making space for different ways of understanding accessibility
Disruptions 06: Wit Lopez on Radical Softness and Tactile Disruptions
CUAG invites you to join a performance and talk by the Philadelphia-based multidisciplinary and performance artist Wit López. Admission is free and everyone is welcome!
This is the sixth event in CUAG’s 2021 “Disruptions: Dialogues on Disability Art” series, curated by Michael Orsini to generate dialogue about contemporary art as a force for challenging ableism.
López will share how they utilize radical softness and speak to disrupting the social expectations of audience as tools for disability justice.
Thank you Disruptions 06 is generously supported by the Canada Council for the Arts, Ontario Arts Council, Reesa Greenberg Digital Initiatives Fund, Office of the Dean of the Faculty of Arts and Social Sciences, School for Studies in Art and Culture, The Pauline Jewett Institute of Women’s and Gender Studies, Institute for Comparative Studies in Literature, Art and Culture, READ Initiative, Carleton Disability Awareness Centre, Graduate Students Association and Carleton University Students Association.
Disruptions 08: Dr. Jody Cripps / A Journey in Understanding Signed Music
CUAG invites you to join a talk and creative exercises by the ethnomusicologist Dr. Jody Cripps. This event is free and everyone is welcome!
This is the eighth event in CUAG’s “Disruptions: Dialogues on Disability Art” series, curated by Michael Orsini to generate dialogue about contemporary art as a force for challenging ableism.
Dr. Cripps will deliver a multimedia presentation on the state of the art associated with Signed Music, drawing on his experience as an academician and performer. Signed Music is an inter-performative art form that has become a new force in the deaf community in recent years.
Challenging the common view that deaf people do not enjoy music due to their disability, Cripps will review works that are musical as expressed through hands and movement, and pleasing to the eyes.
Thank you Disruptions 08 is generously supported by the Canada Council for the Arts, Ontario Arts Council, Reesa Greenberg Digital Initiatives Fund, Office of the Dean of the Faculty of Arts and Social Sciences, School for Studies in Art and Culture, The Pauline Jewett Institute of Women’s and Gender Studies, Institute for Comparative Studies in Literature, Art and Culture, READ Initiative, Carleton Disability Awareness Centre, Graduate Students Association and Carleton University Students Association.

